Hard to say. But that's moot because it propelled Nessum Dorma and Pavarotti to the forefront of national consciousness - reaching number two in the pop singles chart - which in turn brought the track and the man to international attention, so much so that by the 1994 World Cup the Three Tenors (Carreras, Domingo and Pavarotti) were at the opening ceremony. But it's not about the history.
And it's not about the lyrics, although reading a translation you can see how it fits with the tune and can be inspriational. But the tune itself, the melody, the slow build and final triumphant crescendo, is truly one of the great pieces of music I've ever heard. And as I'm going to say several times over the top ten over the next few entries, it's not a trivial task just to push some buttons, create a big musical crescendo and boom, it works. To craft a really powerful crescendo you have to EARN it - and Puccini's writing over the rest of the song is carefully, lovingly constructed to both allow and justify the final build and crescendo. That is a very hard task, and it does take some serious musical genius to achieve it without it seeming at best overblown (I'm looking accusingly in your direction, Wagner) or at worst totally outplaced.
Puccini gets it right. So does Pavarotti. And so did Des Lynam.
No comments:
Post a Comment